Mastering VARIABLE ND Filters for Perfect Exposure?

In this episode, we challenge the traditional exposure triangle with Chris Tinard of CNOMADIC, who makes a bold but well-supported claim: in today’s world of advanced cameras and post-production workflows, variable ND filters are the true foundation of modern exposure control. Drawing on two decades of experience in cinematography, Chris walks us through how technological leaps—like dual native ISO and Sony RAW integration with DaVinci Resolve—have fundamentally shifted how we should approach exposure. ISO is no longer about brightness, but about strategically positioning dynamic range. Aperture? That’s for depth of field. Shutter speed? All about motion blur. Exposure control belongs elsewhere now. This conversation dives deep into: • Why sticking to native ISO gives you cleaner, higher-quality footage • How EI (Exposure Index) metadata in Sony RAW lets you change ISO in post—just like RED cameras • The real role of ISO today: not exposure, but dynamic range management • Why aperture and shutter speed should never be sacrificed for exposure • How variable ND filters preserve your creative intent while giving you full control over light • The benefits of built-in electronic and auto NDs over traditional screw-on filters • A practical, modern exposure workflow used by top DPs and gaffers alike Whether you’re shooting corporate interviews, documentaries, or narrative films, this episode will help you rethink your approach and empower you to take full control of your image without creative compromise. 🎧 Tune in and learn why the variable ND filter is the most important tool in your kit.

▶️ Watch the related video here: https://youtu.be/2DsBv8Ti-fo